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Ibrahim Kurpejovic
Roden je u Sredjanima kod Rozaja - Montenegro - 1960. godine.
Akademiju likovnih umjetnosti je zavrsio u Sarajevu 1985. godine. Clan je
Udruzenja likovnih umjetnika Crne Gore od 1987. godine. Do sada je osam
puta samostalno izlagao. - Rozaje, 1986, Osnovna skola "25.maj", -1987.
god. Skolski centar "30. septembaaar", -1989 i 1995. god. Centar za
kulturu - Tutin, 1995. god. - Centar za kulturu - Podgorica, 1999. god. -
galerija "Most" - Virpazar, 1999. god. - galerija "Vir" - Novi Pazar,
1999. god. - galerija "Sopocanska videnja" Od kolektivnih izlozbi medu
znacajnijim su: Tradicionalne izlozbe ULUCG; manifestacija "Zajedno" -
Sarajevo 1984, 1985; Cetinjski salon Jugoslovenske likovne umjetnosti "13.
novembar" 1989; Prolecni likovni salon - Novi Pazar 1989, 1990; Moderna
galerija "Doma revolucije" - Prijepolje 1991; Likovni klub "Kula" - Rozaje
1990, 1992, 1994; Savremena crnogorska grafika - Herceg Novi 1993; Likovni
klub "Kula" - Podgorica i Bar 1995; Dvorac za kulturu - Pernik (Bugarska)
- 1998, 1999. godine.
  
  
CTRITIC'S
FINE FEELING FOR PAINT AND
SPACE
Ten years of hard working
in homeland Rozaje Ibrahim Kurpejovic marked exhibition which shows that
you can work well if you have what to tell, and if you know how. Period of
ten years is enough that after schooling really you can be a painter, to
show a talent and ability. Kurpejovic’s oil are pejsazes, which are made
carefully and deeply, and with ability of making coulours. It looks like
apstract composition, but in subthem you feel transformation of homelang
paintings and clear explorer by particular factures and compositions
combination. In the beggining he uses a lots of coulor, he did it quietlly
and he made an atmospher of hotness and of particular transcendalost.
Often combinations are parts of green tones of variaty of coulors which
are purpule and red coulours. They are all in one place. In some
compozitions showed by mozaic colled colaz which enter and aplication. The
newest Kurpejovic’s paint are inspirated by tragic time in which we live.
In that way are called “step of time” I and II. It is soled in forming of
some manners of painters. It’s all begging from reality of happenings and
it invites in thinking of step which lives time and people in them. In
ekspresionits coloring and dramatization narration filled, plastic space
of Montenegro Ibrahim Kurpejovic he goes in part of life and spiritual
ambient of his people. The great results in ten years work.
MONITOR – 6. octobar 1995 Olga Perovic
Paints of Ibrahim Kurpejovic hasgot beautiful view
“Pejsazis” of Kurpejovic are apstract asossition, in body of picture is
included fine coulers and naylon, too.
POBJEDA – 8. March 1995 Natasa Nikcevic
In Ibrahim’s pictures are wide known melancoly and
veiwe’s of imagination to built and to do and psicholocical part, but not
hidden, but, we can say a little transparent, filled by that way which is
not going on in bizarity... Kurpejovic is multiply and suptile painter.
His technic of superiority and vizuel posibilities of pictures and he is a
painter with equel sense for forming with details, and in senzibility
transformation of native motiv in one coulouring.
Husein Basic
IN DEPENDENT OF PAINT EXHEBITION IBRAHIM
KURPEJOVIC
... To tell the truth: it seems to me that safety way of
painter Ibrahima Kurpejovica and work which he made go in part of
realization of modern Montenegros painting. Ibrahim Kurpejovic has feeling
for rythm and paint, and that is most important pictural element in which
he has right to go on... From today pictures of Ibrahima Kurpejovica, a
boy which will seeit, would be a way for a new spiritual stage which you
must go....
Ibrahim Hadzic, 29. IX 1995 Rozaje
Painting of Ibrahima Kurpejovica it is based in very
good education and quietly class of known Professor and painter Salima
Obralica. By that logical influences Ibrahim slowely but for sure he goes
of giving a picture his view not only partbut a creativety stage.
Kurpejovic in his pictures in his first etape (phase) we can see and feel
a clear a pure pictures intereses. His early figuration it’s not based in
linking for theme, but he get’s in assosiation sense which in coulority
and in other way are confirmed with his thoughts, by direct assosiation of
reality to him transport in simbolic an syntetic vames and demonstration.
He that visuel reality become a part of liric assosiation and to chose a
theme as beggining. Kurpejovic did picture and composition very hard and
logically, he is based in constructive, we can say, geometric elements
which are not hard fiksed and it keeps that liric assosiative method which
they have. In his new pictures it isfeeled Kurpejovic’s syntetic view
which we see as vizuel and we feel like that, he divides elements in which
in base we can find an idea. His pictures are very clear and it has a
coulouring balans and tones. In some of his work we can see a moving of
mase and line, but these mases and lines are covered by coularitivety
values and it brings that idea and composition stand as a sigure
vizuality. Insisted in poorness and purety of compositions Kurpejovic
usses geometric element which logicaly goes and built as constructions
whichis based coulouring tones and it lies on a place. Kurpejovic’s
pictures doesn’thave not a bit of element, so the coulour, tones value
goes with atmosphere which shows a holnes and which ecxcuses that every
element is on pictures, balanced and logic, so without hardness we feel
allk his works as logical creation which are only one part. His pictures
we feel as peacfull power, but and as base which will bring new idea, of
thinking and realization.
Milan Marovic, Cetinje, september 1999
www.kurpejovic.tk
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